AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |
Back to Blog
Dark darker yet darker lyrics1/2/2024 ![]() ![]() ![]() ![]() He learned the art of composing haikus from one of the four great haiku masters: Masaoka Shiki. He uses imagery of the spring season to describe his writing process.Ī slightly more modern Japanese poet, Natsume Sōseki, likens his breath to the wind in this haunting haiku. In it, he compares a written poem to a blooming poppy. Katsushika Hokusai, a disciple of Bashō, writes another powerful haiku that translation cannot accurately capture. A good example of this is haiku master Yosa Buson ’s comparison of a singular candle with the starry wonderment of the spring sky. Haikus focus on a brief moment in time, juxtaposing two images, and creating a sudden sense of enlightenment. ![]() Translated, Issa’s haiku doesn’t meet the 5/7/5 rule, but its power remains. Kobayashi Issa, another great Haiku master, writes this stirring poem that places the kireji at the end. Though sometimes, the kireji comes at the end of a haiku to give it a sense of closure. They are meant to comment on the season or surroundings of the authors and create some sort of contrasting imagery separated by a kireji or “cutting word” (like “Splash!”). Hokkus are collaborative poems which follow the 5/7/5 rule. Historically, haikus are a derivative of the Japanese Hokku. This traditional example comes from Matsuo Bashō, one of the four great masters of Haiku. A practice of artistic discipline, their minimal nature forces writers to pare down to only the essentials-making each word, or even syllable, count. Haikus are known for their ability to paint a vivid picture in just a few words. Traditional and structured, this short form of Japanese poetry is well-known for its rule of 5/7/5: five syllables in the first line, seven in the second, and five again in the third. ![]()
0 Comments
Read More
Leave a Reply. |